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DTSTART;TZID=Asia/Tokyo:20250303T100000
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DTSTAMP:20260501T034423
CREATED:20250223T152346Z
LAST-MODIFIED:20250223T170903Z
UID:2311-1740996000-1741539600@akihitoobama.com
SUMMARY:小濱明人〈中国 Solo Tour〉
DESCRIPTION:[タイトル]\n　小濱明人〈中国 Solo Tour〉\n\n[期間]\n　2025年3月3日（月）～3月9日（日）\n\n[場所]\n　中国 杭州市\n\n[内容]\n　3月5日(水) 尺八マスタークラス（本曲講習・奏法講座）\n  3月6日(木) 尺八マスタークラス（本曲講習・奏法講座）\n  3月7日(金) ソロ公演（本曲・一節切曲・古代尺八曲）\n　3月8日(土)　現地音楽家との公演（オリジナル曲）\n　\n　と盛りだくさんのソロツアーです！！\n 
URL:https://akihitoobama.com/event/chinatour2025/
LOCATION:杭州市\, 杭州市 \, China
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BEGIN:VEVENT
DTSTART;TZID=Asia/Tokyo:20250315T180000
DTEND;TZID=Asia/Tokyo:20250315T200000
DTSTAMP:20260501T034423
CREATED:20250223T153555Z
LAST-MODIFIED:20250223T153555Z
UID:2317-1742061600-1742068800@akihitoobama.com
SUMMARY:「とこなつ☆メビウス」SPECIAL
DESCRIPTION:[タイトル]\n「とこなつ☆メビウス」SPECIAL\n\n[開催日]\n 2024年3月15日（土）開場17:00　開演18:00\n\n[会場]\n メビウス（東京都新宿区舟町8　舟町ビルB1）\n\n[料金]\n 事前予約3000円（税別）／当日3500円（税別）＋2order\n\n[予約]\n atsuko.happy.music@gmail.com \n\n[出演者]\n ちはらあつこ（vo\,pf\,uke）／戸田こうじ（gt\,vo）／Guest＝小濱明人（尺八）
URL:https://akihitoobama.com/event/tokonatsu_mobius_special/
LOCATION:メビウス\, 舟町8　舟町ビルB1\, 新宿区\, 東京都\, 160-0006 \, 日本
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DTSTART;TZID=America/New_York:20250329T190000
DTEND;TZID=America/New_York:20250329T203000
DTSTAMP:20260501T034423
CREATED:20250211T160637Z
LAST-MODIFIED:20250212T164535Z
UID:2300-1743274800-1743280200@akihitoobama.com
SUMMARY:Hiroya Miura《4711 – Intercourse of Ghosts》
DESCRIPTION:Hiroya Miura《4711 – Intercourse of Ghosts》 \n[Date]\nMarch 29\, 2025\nDoors open at 6:30 PM\, event begins at 7:00 PM \n[Venue]\nBohemian National Hall\n(321 E 73rd St\, New York\, NY 10021) \n[Artist]\nHiroya Miura・三浦寛也（composer）\nCarl C. Bettendorf（conductor）\nHidejiro Honjoh・本條秀慈郎（shamisen）\nAkihito Obama・小濱明人（shakuhachi）\nAnnabelle Plum（singer） \n  \n[Comment]\n4711 – Intercourse of Ghosts is a unique\, multilingual opera reimagining the correspondence between Jewish novelist Franz Kafka and Czech journalist Milena Jesenská. Between 1920 and 1923\, Kafka wrote over 120 letters to Jesenská\, and although her replies were destroyed\, her impact on his work is profound. This opera blends fragments of their letters with themes of isolation\, cultural identity\, and Kafka’s “impossibility of writing\,” all set against the backdrop of post-WWI Europe. \nThe libretto intertwines German\, Czech\, English\, and Japanese\, creating an immersive experience that challenges the audience’s comfort and invites active listening. The score features shakuhachi and shamisen\, instruments tied to marginalized Japanese communities\, along with field recordings of carrion crows whose calls suggest a form of non-human language. The opera also explores Jesenská’s tragic fate: after being captured by the Gestapo and sent to Ravensbrück concentration camp\, she was tattooed with the number 4714\, leading to the nickname “4711” among fellow prisoners\, referencing the popular eau de cologne 4711 Echt Kölnisch Wasser. \nJoin 1014 and the Czech Center New York for the concert premiere of Hiroya Miura‘s opera––performed by Hidejiro Honjoh\, Akihito Obama and Annabelle Plum––paired with an intimate song cycle by Carl Bettendorf based on Kafka’s original letters.
URL:https://akihitoobama.com/event/hiroya-miura%e3%80%8a4711-intercourse-of-ghosts%e3%80%8b/
LOCATION:Bohemian National Hall\, 321 E 73rd St\, New York\, 10021\, United States
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